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Listening to "Lots of Nothing" feels like rediscovering the best summer of your youth.

Dacus's third album is an intimate collection of snapshots from her youth and teen years. Both searching and empathetic, it channels what it means to revisit the past with the wisdom of distance.

For all the fuss around the viral hit "Montero (Call Me By Your Name)," its true message is a tender one: Hell hath no fury like what young queer people go through every day.

The Pulitzer-winning composer began her career with a creative blank check, but she's spent much of the past decade moving sideways. Her latest trick: reinventing as a songwriter.

The Michigan-based singer-songwriter makes beautifully transporting, pulse-slowing music. On "Existing," they find comfort and gratitude in simply persevering.

The two artists, best known for their bands Bon Iver and The National, say their new project isn't really a band but a large-scale collaboration involving dozens of musicians.

The pair has already released four songs from the self-titled set, which comes out August 31.

Hear four songs by Big Red Machine, which blends Vernon's oblique and poetic words with a busy collage of sounds. Then get lost in a rabbit hole of never-before-heard music.

Julien Baker not only adds harmonies but depth to the sinuous ache of The Ophelias' intricate indie-pop song.

Taylor Swift's feature on the latest single from Aaron Dessner and Justin Vernon's side project could easily have been a standout track on either of her 2020 blockbusters.