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  • The leader of the Senegalese trio Daara J says hip-hop was a familiar sound in the group's native country long before it became popular in America.
  • Jazz critic Kevin Whitehead reviews And now... The Revolutionary Ensemble. The three-man group uses instruments ranging from violin and harmonica to acoustic bass and a wide range of percussion.
  • Although he was a solo artist for only seven years, John Coltrane became one of the most renowned saxophonists in history. In 1963, Coltrane teamed with Johnny Hartman to record this classic compilation of ballads. It was Hartman's first record in eight years.
  • Jazz pianist Dr. Billy Taylor is retiring from public performance this week, but will continue his educational endeavors. Taylor, who suffered a stroke three years ago, reflects on his deep friendships with many giants of the genre and the jazz scene of the 1940s.
  • A French-style '60s band has taken New York by storm. But most of the members of Les Sans Culottes are Americans. Their act is a musical takeoff on the French pop music of an era far more famous in America for the British invasion led by The Beatles.
  • Bill Summers has traced the rhythmic links of African, Caribbean and American music for many years. He draws on years spent with Herbie Hancock and his own group to discuss rhythms and beats.
  • In the past several months, singer Marianne Faithfull has released two CDs: a two-disc set of her hits, and Before the Poison, which includes tracks written by PJ Harvey.
  • The musicians said they were performing in Kyiv at the invitation of Ukraine's president. They played acoustic versions of U2 hits and also shared the "stage" with the Ukrainian band Antytila.
  • Rock critic Ken Tucker reviews the debut album by British 25-year-old Nic Armstrong and his band, the Thieves. The recording, The Greatest White Liar, has garnered attention with its mix of British rock and American blues.
  • The Turtle Island String Quartet consists of classically trained musicians who turned to jazz. The quartet has bended the lines between classical, jazz, blues and world music for two decades.
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