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The Brooklyn quartet's latest musical evolution culminates in a buoyant synth-pop song, that's also a tale of infidelity and agism.

The original Santana made music history nearly 50 years ago. As the band reunites for a short tour this spring, the guitarist tells Alt.Latino how he and his collaborators did it.

A huge appetite for drugs, a U.F.O. cult, great songs — just a few parts of the Tim Maia story.

Aye Nako's forthcoming Silver Haze builds effervescent pop-punk melodies in squalling harmony. But here, the band makes a strong case for something unprecedented during this uneasy time: tenderness.

After a couple of months in the summer sun, the folk-rock band's debut album finally feels ripe. "No Woman" conveys the circuitousness of an aimless, lovesick road trip.

Moran's new album, Ten, is like a stack of progress reports -- on his personal growth as pianist and as a composer, on the development of a trio with stable personnel for a decade, and on how jazz itself has progressed over the last 10 years.

Live at the Harlem Square Club, 1963 has been called one of the best live albums ever recorded. But it was shelved for more than 20 years by executives at Cooke's record label, who feared what the mainstream would make of his fiery performance.

Sharon Van Etten's cover of the 1962 song "The End Of The World" comes from a unique and entirely imagined soundtrack to the Amazon series The Man In The High Castle.

The Brooklyn band turns simple tasks mysterious in their new video for "Heavy Metal."

Administrators at Heyer Elementary School in Waukesha stopped a class from performing a Miley Cyrus-Dolly Parton duet promoting LGBTQ acceptance because the song "could be perceived as controversial."