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Since the release of their debut album in 1994, Philadelphia natives G. Love and Special Sauce have been continuously refining their laid-back blend of blues, alternative rock, soul and hip-hop into tighter and more sophisticated song structures. The band's newest record, Lemonade, is a fantastic back-to-basics effort.

Every month seems to bring another rediscovered talent from the golden age of soul music — someone who was little more than a footnote during the outbreak of amazingness that distinguishes that fertile era. What makes Lorraine Ellison's case puzzling is the remarkable consistency of her work.

On his new CD, Friendly Fire, Sean Lennon tells the story of love, friendship and betrayal. The singer and songwriter talks about how he's able to express such personal feelings in his art and music — and what it's like to be John Lennon's son.

Noting Shostakovich's 100th birthday on Sept. 25, we begin a week of Shostakovich exploration with Leon Botstein, Laurel Fay and Valery Gergiev.

Years after breaking through as one of the most innovative and musically gifted acts in hip-hop, The Roots' members return with Game Theory, another groundbreaking collection of stellar and often political material.

A look at Dmitri Shostakovich's comic side, with comments from conductors Leon Botstein and Valery Gergiev.

With 12 albums under his belt, Chris Smither qualifies as a veteran of the music industry. His elegant lyrics are arranged simply, with mostly just his own masterful finger-picking and foot-tapping to accompany him. His music qualifies as folk, but the blues influences are undeniable.

Lil' Ed's energetic onstage antics — everything from flying leaps to toe-walking — have helped him build a fervent fan base among blues enthusiasts. The Chicago band started out playing in clubs and cafes while its members worked day jobs to make ends meet, but it didn't take long for word of mouth to make the group a career unto itself.

A new album features the late Ray Charles playing with the Count Basie Orchestra, but Charles never actually recorded with the group. The tracks were mashed together by an audio engineer who used to play with Charles.

Anyone looking for a quick sense of where Beck's at in 2006 can get it by cueing up "Cell Phone's Dead," one of 17 songs from the richly textured new The Information. The track gathers the alternating currents of Beck's art into one tidy and nearly timeless package.