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  • Stanley Crouch, one of the nation's most prominent jazz critics, is the author of the just-released Kansas City Lightning -- part one of a biography of Charlie "Bird" Parker. Reviewer Craig Morgan Teicher says the story starts a little slowly, but when Parker picks up the saxophone, Crouch's writing cooks.
  • Our list of the best songs, albums and mixtapes by Southern rappers is a celebration that recenters the South as a creative center of hip-hop and honors the region for all that it has given to us.
  • The rap of 2022 reunited and revitalized old partnerships, revisited and critiqued old haunts, unearthed powerful new voices and even helped plug a new Minions movie.
  • By the time she was 18, Wang had carved out a niche as a performer to call when older big-name pianists couldn't make it to their engagements. But now, at 22, she's headlining a project of her own: Her debut CD, Sonatas and Etudes, has been nominated for a Grammy.
  • Guitarist Sean Shibe pushes his instrument to the limit in new music written for him by Thomas Adès, and softens the vibe with intimate pieces by Bach, Mompou and the eccentric street musician Moondog.
  • Sabrina Carpenter currently holds down both the No. 2 and No. 3 songs in the nation according to Billboard Magazine. That puts her in rare company.
  • Hear the lanky Texan's iconic 1958 recording of Tchaikovsky's Piano Concerto No. 1, made on the heels of his historic victory at the very first International Tchaikovsky Competition in Moscow.
  • The deadly fire at the warehouse-turned-arts space killed 36 people.
  • Shanti and Buck Curran, who write and record under the name Arborea, are pitched as a husband-and-wife folk duo from Maine, but there's very little in their songs that resembles traditional roots music. Arborea is mostly an experimental album, with the Currans bowing and plucking their stringed instruments to create spacey, ambient drones.
  • With its German text and emphasis on consoling the living, Brahms' decidedly non-Latin Requiem was unlike anything that had come before it. Hear conductor Otto Klemperer's soulful rendering of Brahms' personal and rapturous music.
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