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  • The twelve men of Chanticleer, one of America's premiere vocal ensembles, present a program of a cappella music at the St. Vincent Church in Petaluma, Calif. Joseph Jennings directs.
  • In addition to his music career, Gilley was also famous for being the face of a nightclub that pushed Texas cowboy culture into a global spotlight.
  • The roots of gospel music are not well-documented. Early recordings were lost. Stories behind the songs weren't written down. A new book recounts the history of the beloved American art form. NPR's Michele Norris talks with Robert Darden, author of People Get Ready!.
  • NPR and WBGO, Jazz 88 in Newark ring in the New Year with the 25th anniversary edition of Toast of the Nation — 13 hours of jazz and blues from Europe and across America.
  • Fifteen years after her hard-hitting hip-hop debut, All Hail the Queen, Queen Latifah has a new CD of jazz, soul and pop standards covering artists as diverse as Dinah Washington and Al Green.
  • When it comes to sex, booze and rock 'n' roll, the group Faces didn't just follow the cliché, they helped invent it. The hard-rocking, hard-drinking band helped propel the career of Rod Stewart. Ashley Kahn reports.
  • British musician PJ Harvey relied on basic home-recording techniques and spare instrumentation for the CD Uh Huh Her. She tells NPR's Linda Wertheimer this music is a bit autobiographical, too.
  • Hilary Hahn has already recorded landmark violin concertos with the world's great orchestras. She describes the meditative experience of playing Bach alone — and of trying to sound like a bird.
  • Musician Lenny Kaye is perhaps best known as Patti Smith's guitarist. But he's also a music writer, whose work has appeared in Rolling Stone, The Village Voice and Creem. His new book, You Call it Madness: The Sensuous Song of the Croon, chronicles the male singers of the 1930s known for their suave, sophisticated and romantic interpretations of song: Bing Crosby, Rudy Vallee and Russ Columbo.
  • The Bangarra Dance Theatre, Australia's leading indigenous dance company, performed Bush at New York's Brooklyn Academy of Music. NPR's Allison Keyes talks with the company's choreographer, Stephen Page.
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