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  • Tori Amos' new album describes a journey across America after the Sept. 11 terrorist attacks. The story is told through the eyes of a character named Scarlet, who encounters various personalities along the route. NPR's Elizabeth Blair profiles the singer-songwriter.
  • Host Liane Hansen talks to Vienna Teng, who last year made a drastic change in her life from computer engineer in Silicon Valley to professional singer/songwriter in San Francisco. Her debut release is called "Waking Hour" (Virt Records; ASIN: B00006RY7D). (11:40)
  • Portland drummer Mel Brown shares some Motown stories from the 1970s, and of how he returned to his hometown in order to build its scene. Also: a 2019 set from the Montavilla Jazz Festival.
  • Rock critic Ken Tucker reviews the third album by singer-songwriter Joseph Arthur. It's called Redemption's Son.
  • He supervised and conducted the music for the film adaptation of Chicago. His previous credits include the Broadway musicals Aida, Sunset Boulevard and Aspects of Love.
  • As we enter the fall season, it doesn't hurt to spruce up and start afresh with a new playlist. Here are recommendations for three songs to play while dance-cleaning the bathroom.
  • NPR's Bob Edwards talks with writer Bobbie Ann Mason about her new biography of Elvis Presley, part of the Penguin Lives series. Mason says she started out thinking other people might have better handled the fame Elvis faced. But she finished the project realizing nobody could've handled it any better.
  • Kern and Hammerstein's show is not just a serious opera or musical comedy, but a marriage of both.
  • Music critic Milo Miles reviews two new recordings that rely on new technology: DJ Shadow's The Private Press (on MCA) and The Best Bootlegs in the World. Ever.
  • The Grateful Dead began their musical journey in 1965, and continued to perform before sell-out crowds until their breakup in 1995. NPR's Scott Simon talks with the band's historian Dennis McNally about his book, A Long Strange Trip: The Inside History of the Grateful Dead.
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