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Marlon Williams has a heart-stopping voice, is in love with a good, traditional blues or country tune, and writes songs about vampires and horror films.

In three songs celebrating black ancestry and self-love, Woods demonstrated just how adept she is at creating songs rich with philosophical meaning that also move and groove.

The singer performed at the Tiny Desk without a warmup or soundcheck, with just her acoustic guitar and un-amplified voice, letting the wordplay in her songs shine through.

Julien Baker's Turn Out The Lights brought her much-deserved critical acclaim and wider attention in 2017. Before its release we asked her to make a rare return to the Tiny Desk for something special.

The LA band's signature sound is intimate and demonstrative, haunting yet uplifting, an old-fashioned rock beat under glimmering guitar and keys. And at the Tiny Desk, it was at ease.

The Portland artist with the most mispronounced name in hip-hop puts on an unforgettable performance.

Filmed at Dizzy's Club, Helen Sung's quartet plays several pieces born out of the sorrow, loss and anxiety caused by the pandemic.

Staples, a tenor vocalist, helped to ease his family's iconic gospel group into secular territory, and later found success as a manager and club owner.

Fourteen years after her first album as St. Vincent, Annie Clark makes a sharp turn in time with Daddy's Home, a '70s rock revue that nails the sound, if not the spirit, of its influences.

Comedian Margaret Cho is part of the BTS army.