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Live Broadcast: Japanese Breakfast Closes Out 5 Nights At Union Transfer
Tune in as WXPN and World Cafe host a live stream from Japanese Breakfast's last of five nights in Philadelphia.
Bonnaroo Will Require Vaccination Or Negative Test As Live Music Adapts To Delta
The Bonnaroo music festival in Tennessee announced today that it will require either proof of vaccination or a negative COVID-19 test to attend.
Paul Thorn Brings A Softer Touch To A Rough Patch On 'Never Too Late To Call'
Southern singer-songwriter Paul Thorn joins NPR's Debbie Elliott to talk about his latest record, Never Too Late To Call.
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7:18
Posthumously Released Prince Album Speaks To Today's America
Six years before his death in 2016, Prince recorded — but did not release — Welcome 2 America. Who knows why Prince opted to hide it away in 2010; this album's sound is very much of-the-moment.
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•
6:23
This Tiny Desk Contestant Processes Pain Through Music: 'It Became Our Safety Place'
Ephraim Bugumba was 3 years old when his family fled violence in the Republic of the Congo. His song. "Voices in My Head," was a standout entry in NPR Music's Tiny Desk Contest.
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•
5:51
Ric Robertson (Feat. Lucius), 'Getting Over Our Love'
Opening cut "Getting Over Our Love" sets the tone of exquisite heartbreak echoed throughout the album.
Amelia Meath And Blake Mills, 'Neon Blue'
Blake Mills provides a hypnotic and experimental samba rhythm, while Amelia Meath's layers of vocals give the minimalist piece a somber, nocturnal vibe.
Hayden Pedigo, 'Letting Go'
"Letting Go" is a slow burn, glowing auburn against pedal steel, synths and Pedigo's loping guitar as if the song's got nowhere to go, yet is compelled by unseen forces to move on.
Max Richter, 'Flowers Of Herself'
This piece, from a new album of orchestral works by Richter, depicts the opening of Virginia Woolf's Mrs. Dalloway by pairing pulsating rhythms with the composer's signature wistful melodies.
Bbymutha's 'Muthaland' Is Teaching Me That Status Isn't Everything
The ambitious rapper's debut album starts with an acid trip and ends with a paean to a rap pantheon. In between, says writer Christina Lee, it offers crucial lessons about playing by your own rules.
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