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This year, the octet has chosen to salute a tenor sax titan and a long-time San Francisco resident. It plays re-arrangements of Henderson classics along with new original pieces live in concert.

It was in Philly where Jimmy Smith first took a church instrument and made it swing. Years later, the city's jazz community gathers to salute its many soulful pioneers of the Hammond B-3 organ.

The multi-talented cellist leads her string ensemble in concert from the African-American neighborhood of Bedford-Stuyvesant, featuring her two children on voice and drums.

Each album by The Bad Plus can be understood as a planted flag, a marker of group identity. Hear the jazz trio's first record with new pianist Orrin Evans.

Bertucci unleashes a cascade of overlapping saxophone lines, with each small repetition spawning a new wave of curling, blending sounds.

We join the pianist at his loft in SoHo to talk about his upbringing in Cincinnati, late-night gigs in New York, his recovery from a coma in 2008, and his adaptation of Walt Whitman's poetry.

In 1983, the Canadian Opera Company was the first to use simultaneous translations projected above the stage. Now it's an expected part of the opera-going experience.

Modern Lore fully captures the guitarist's trademark melding of fleet precision, open-road possibility and radiant self-assurance.

The composer's new album is a feast for the ears that is companionable, symphonically expansive, danceable and (as its title suggests) ripe with melodies.

Eavesdrop on a beautiful recital of German songs from fin de siècle Vienna, when music was transitioning from the swells of romanticism to the uncharted waters of modernism.