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David Rodigan has spent his entire life exulting in and exalting reggae. In his autobiography, published earlier this year, the soundman stays away from a topic that would seem utterly central.

The Village Voice announced it would be ending its era of print — here, 11 former music editors and writers remember their time within its prickly, hallowed halls.

The Newport Folk Festival is not just a festival — it's an annualized community. Photographer Adam Kissick captured it.

The solo composer and LCD Soundsystem's synth genius discusses her relationship to music, shifting gender identity and how each has informed the other in a successful and deeply introspective career.

In 2010, the emo revival began to crest, Instagram launched, The Beatles released its catalog to iTunes and Kanye West released My Beautiful Dark Twisted Fantasy.

Illustrator and reporter Chelsea Beck ventured to Merriweather Post Pavilion for a festival older than many of its attendees — of course there were fidget spinners.

Everything's in balance on the tenor saxophonist's new album: Smith's pliable expressive tone is neither too heavy nor too light as he exploits the tension between the composed and the improvised.

2012 showed the Internet in all its glory and horror: crowdfunding, "Call Me Maybe" memes and "Gangnam Style." Plus: Channel Orange and the Tupac hologram.

"I couldn't not speak about whiteness in my work," Garbus says of her new record as Tune-Yards. She breaks down the themes and self-examinations behind I Can Feel You Creep Into My Private Life.

NPR's Ailsa Chang talks with the guitar duo Rodrigo y Gabriela about their new album, which features a full orchestra.