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  • Karen Michel profiles guitarist Brad Shepik, who mixes American jazz with influences from Moroccan to Klezmer. Shepik has just released a new album — it's called Drip (Knitting Factory).
  • Rock critic Ken Tucker reviews Elephant, the new album by the White Stripes.
  • NPR's Tavis Smiley talks to St. Clair Bourne about his new documentary, Paul Robeson: Here I Stand.
  • Otis Taylor plays a style of music he calls "drone blues," a hypnotic, loosely-structured form of guitar meandering. A former antiques dealer, he writes lyrics based on themes of injustice informed by his love of history. Guest host John Ydstie speaks with Taylor about his new CD, Truth Is Not Fiction (Telarc Records, catalog # 83587).
  • Classical pianist Christopher O'Riley is best known for his interpretations of music by such composers as Stravinksy and Ravel. But on his latest album, True Love Waits, he transforms the compositions of rock band Radiohead. NPR's Michele Norris talks with O'Riley.
  • Rock critic Ken Tucker reviews Beneath This Gruff Exterior, the new album by John Hiatt and a new John Hiatt tribute album, The Songs of John Hiatt.
  • Singer-songwriter Jonatha Brooke is something of an underground sensation, with an adoring fan base built largely on word of mouth and extensive touring with her band. Hear five full-length cuts from her recent performance in NPR's Studio 4A, and view a video of Brooke and her band performing the title track to her latest CD, Steady Pull.
  • Music critic Michelle Mercer reviews new recordings from two Brazilian artists: Natural by Celso Fonseca, and the self-titled Blue Note debut by the Tribalistas. She says both will put you in the mood for summer.
  • The birds are singing, the flowers are blooming and May Day is soon upon us. But somehow Jim Nayder, the Annoying Music Man, finds a way to spoil the beauty of it all. On Weekend Edition Saturday, Nayder shares some terrible recordings he considers appropriate for May Day with NPR's Linda Wertheimer.
  • As part of the occasional series "Musicians in Their Own Words," jazz violinist Regina Carter describes her music.
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