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With Jack White's assistance, Wanda Jackson sings a timeless lover's lament in "Like a Baby." Here, she performs the song with the same kind of tough-girl grit that made her a star in the '50s and '60s.

An early glimpse at what would become a big band, "Them (Pop Song #3333)" sounds approachable and introspective, with vocals from Kevin Drew and Emily Haines of what would become Broken Social Scene.

The Austin psych-rock band performed a special show for KEXP members last month in Seattle. Hear the concert in its entirety.

Air was a flagship of the 1970s avant-garde, but saxophonist Henry Threadgill, bassist Fred Hopkins and drummer Steve McCall first came together to play Scott Joplin's piano music. That and more are documented on a massive eight-CD box set of Threadgill's music.

Erik Wunder's band Man's Gin maintains the tangible rawness of his black-metal band Cobalt and powers it through a ramshackle Americana sound not often heard since the days of 16 Horsepower.

Washburn almost left the U.S. for China, where she'd planned to spend the rest of her days practicing law. As luck would have it, though, her growing fascination with learning the banjo led her to an unlikely recording career. Washburn's new album is titled City of Refuge.

It's hard to believe that Nick Lowe's second album, Labour of Lust, was out of of print for over 20 years. But a new reissue by Yep Roc has remedied that situation. Rock historian Ed Ward says that it's good to have the album — featuring the tracks "Without Love" and "Cruel to Be Kind" — back on shelves.

Fans who discovered the Swedish singer's vulnerable voice on a Twilight movie soundtrack might be surprised to hear her more provocative sound on the new Wounded Rhymes.

Bucking the trend for atonal music, the American was a proud purveyor of lyrica opera. Hoiby, whose songs were championed by Leontyne Price, was not a jet-setting star, but preferred to compose in the country.

In "Deathsweater," when it comes to flow, rapper Beans is as stylish and serious as a model making her way down the runway. What makes him particularly compelling here is how he finds the right moments to step on the verbal accelerator, then drops back in tempo without pause.