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  • Last year, Blind Pilot renounced traditional tour transportation and embarked on a trip that took it from Vancouver to San Francisco by bicycle. While on tour, it recorded its debut album, 3 Rounds and a Sound, which exhibits a minimalist folk-pop style driven by simple acoustic guitar, sparse drumming and captivating vocals.
  • The Charmels' single "As Long as I've Got You" didn't garner much attention when it was first released in 1967. A small snippet of the song, however, now stands as one of The Wu-Tang Clan's most recognizable hooks. Follow the 40-year life cycle of the pop song, from historical footnote to fan favorite.
  • It's the tradition of jazz to interact with contemporary popular music, which is exactly what The Bad Plus does. Having just added rock singer Wendy Lewis to its lineup, the energetic jazz trio performs new standards from Nirvana and The Bee Gees in a session from Jazz24.
  • At 70, Hugh Masekela says he has personally healed. But the trumpeter and vocalist, long known as both a celebrated artist and an anti-apartheid activist, has recorded "songs of concern" on his new album, Phola.
  • Musician and performer Dan Deacon makes music with a table-full of gadgets, and if he gets his way, that music will make you dance. He's on tour supporting his new album, Bromst, in a van fueled with vegetable oil.
  • Two decades after the release of their Grammy-winning debut album, the Indigo Girls' compressed and solid harmonies are still recognizable. Emily Saliers and Amy Ray join Linda Wertheimer at WHYY in Philadelphia to play some old favorites, along with new songs from Poseidon and the Bitter Bug.
  • Soulful folk-pop singer-songwriter Elvis Perkins is often compared to the likes of Leonard Cohen and Bob Dylan, mostly for the way he crafts brooding, thoughtful melodies with a sophisticated pop sensibility.
  • Malian husband-and-wife duo Amadou and Mariam began recording together in the 1980s, and soon flourished by adding Syrian violins, Cuban trumpets and Indian tablas to their infectious African blues-rock, Western pop and funk. On their new album, Welcome to Mali, the pair sings in English and French instead of their native Bambara.
  • Donizetti had already composed more than 60 operas when he wrote Don Pasquale, a brilliant comedy warmed by the composer's trademark touch of gentle pathos. The production is from Houston Grand Opera.
  • With its slow, rhythmic beat, eerie vocals, and minimalist instrumentation, "Wtt," may not have the characteristics of the typical hit single. But this opening track confidently and effectively builds tension and exhibits the strange, magnetic allure of the Lubbock, Texas-based group The Diamond Center.
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