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  • The song's win at Eurovision Song Contest on April 6, 1974 launched the Swedish supergroup on its path to success.
  • For the better part of a decade, Nicki simply existing as Nicki felt like a radical act. Along the way, things changed: rap, the internet, fandom, feminism. Maybe Minaj did, too.
  • The results of the year-end poll of 140 jazz critics offered surprise after surprise, including what's likely the youngest group of musicians, and more women than ever, in the top 10.
  • The KPop Demon Hunters soundtrack just placed three songs in the top 10 of the Hot 100 charts simultaneously — a feat not many movie soundtracks have accomplished.
  • The Pitch Perfect star started acting when she was 6. Back then, she says, she likely just did it for the attention. "Then it sort of transformed into something that was really meaningful for me."
  • Many in Africa say that their homeland is reggae's, too, despite the genre's development in late-'60s Jamaica. Regardless of lore, reggae has since taken on a new shape in Africa, expanding beyond Caribbean-based manifestations. Here are five examples of a modern African sound.
  • This week, The Weeknd's new album, Hurry Up Tomorrow, debuts atop the Billboard 200 albums chart, and the biggest winners and performers from the Grammys experience big chart bumps.
  • The story of the funeral in "Death Sucks" is true; only the name of the deceased has been changed. Singer Mark Bates opted for a fake name ("Uncle Freddy") to protect the privacy of the dearly departed, but otherwise, his composition offers an honest and darkly funny account of his day at a close relation's funeral.
  • By many accounts, Makh Daniels was a passionate, kind man, as well as a ferocious vocalist who lived for the road. Daniels died in a van accident two years ago. His metal band Early Graves pays tribute to his memory in "Pure Hell," which swarms with exuberant rage.
  • Rock critic Ken Tucker gives us his top picks in pop for 2004. He runs down his 10 best albums, and then talks about some trends of 2004, such as the return of punk, the year of the hip-hop producer, crunk music, and the potential end of an era as iPods and single song downloads replace album purchases. Ken Tucker is also a film critic for New York magazine.
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