Search results for

Singer, musician and folklorist Mick Moloney's album, McNally's Row of Flats, centers on theater songs by an Irish songwriting team from the late 1800s. The team consisted of actor and writer Ed Harrigan and musician David Braham, both acclaimed performers of the early Great White Way.

A new CD features a unique musical combination from Ghana: drums, singing, bells and squeeze-bulb horns. The band members are taxi and truck drivers, and their music, por por, is named after the sound their horns make.

Singer-songwriter Neil Sedaka, who marks his 50th anniversary in the music business this year, helped create what's known as the Brill Building sound in the late '50s and early '60s. He's been inducted into the Songwriter's Hall of Fame, but he got his start as a classical pianist. He joins Terry Gross to talk about his life as a performer — and about The Definitive Collection, a career-spanning greatest-hits compendium.

Hailing from Minnesota, Low made a name for itself by playing slow, intricate songs. The band's eighth album, Drums and Guns, presents hypnotic, textured drones that are punctuated with cranky guitars.

In the mid-'60s, Bob & Gene began to record sweet, harmony-drenched soul tunes for a small New York label. However, despite amassing a dozen or so tracks by the early '70s, the duo's album never made it to market. Now, more than three decades later, it's finally been released.

As the primary musical vehicle for Omaha wunderkind Conor Oberst, Bright Eyes has experienced a meteoric rise in the past few years, as fans and critics have embraced the literate, emotional songs of a singer often tagged "The New Bob Dylan."

It's a truism that the drum is the heart and soul of African music. But not so fast: Over the past century, guitarists have redefined the sound of the continent. Two new releases, by Zimbabwean guitarist Louis Mhlanga and a Toronto-based group called the African Guitar Summit, prove that.

Grammy-winning singer and songwriter Lucinda Williams has released her eighth CD, West. The collaboration with producer Hal Willner is mostly a meditation on the death of Williams' mother, and the end of a turbulent love affair.

From the vaults comes "Let's Just Get Together," a phenomenal, never-before-released David Sea song. The track showcases his powerful voice and roots in gospel singing, but his impassioned vocals are practically drowned out by the guitar playing counterpoint, almost in competition with Sea.

With her tart, no-nonsense voice, Mable John deserved to be a star like her brother Willie, who sang "Fever" before Peggy Lee. But Mable John never quite made it, though it sure wasn't because of her singing. Case in point: "Able Mable."