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  • Athens, GA band Mass Solo Revolt hasn't lost sight of its predecessors — Pavement, Built to Spill — harnessing those raw sounds from the early '90s to create a less polished, yet still infectious, throwback indie rock sound. The opening chords to the band's debut CD, Easy Mark could have been pulled straight off Pavement's Slanted and Enchanted, offering the same lazy, off-kilter sound. Lead singer Martin Brummeler's idiosyncratic lyrics about "crooked teeth" and "rubber knives" add to the song's quirky feel; the track proves uniquely poppy with catchy hooks.
  • Lyrics Born is a Japanese-American musician making waves in the world of hip hop, by fusing funk, rock, and R&B. But he doesn't like to talk about his ethnic background — except in his songs. He talks with Farai Chideya about his music and new album.
  • The English electro-pop duo recorded three songs and posted two on their MySpace page. But by their fourth show they were playing host to the entire U.K. music press — quite literally from their own living room. The band just released its debut CD, We Started Nothing.
  • Where Yo La Tengo's "Tears Are in Your Eyes" possesses the heavy-lidded feel of shared sorrow (with a reassuring hint of optimism), Adem's cover opts for a tone of comparative comfort. His version also functions as a sort of Cliffs Notes to what Adem is all about: a figurative glass of warm milk for a world of nervous stomachs.
  • The Philadelphia local has made his first solo album after a decade of success as a high-profile producer and sideman.
  • After 50 years of music, the modern blues icon continues to churn out powerful, gritty, heavy blues rock.
  • Born from the ashes of the beloved lo-fi rock group The Unicorns, Montreal's Islands brings its soulful, personal art-rock sound to WXPN's live midday concert series.
  • The New Orleans rapper's gremlin groan carries him through Tha Carter III, an uneven album that, for all its eccentricities and disappointments, proves him to be an undeniably great MC.
  • The trumpeter has emerged as a young man whose versatile horn ranges from the soft and seductive to the rough and bluesy.
  • To produce the iconic theme song, the late composer drew on a piece he had written for a proposed musical adaptation of V.S. Naipaul's "A House for Mr. Biswas."
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