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It's an extraordinarily simple song from a work initially met with indifference. But with summer now at full tilt, George Gershwin's enduring ode to the season is again in the air wherever the living is easy.

Firewater experiments with both sounds and ideas, using an impressive array of instruments to complement socially and politically charged lyrics. In a World Cafe session with David Dye, hear Firewater play songs from its new album, The Golden Hour.

The Wood Brothers' latest CD, Loaded, enlists some major friends: Amos Lee, Pieta Brown, and John Medeski, among others. In a session on WXPN, The Wood Brothers' members play their own distinct style of jazz, blues, and rock.

The current political situation sent Firewater's Tod A. around the world to discover more music and culture. The musicians he met inspired him to return home and share what he gained. In an interview and performance from KEXP, Tod A. reveals the fruits of his travels.

The new jazz supergroup, featuring B3 organ master Dr. Lonnie Smith, brings the music of the Crescent City to the New York-based Latin soul music called boogaloo. In a session from Jazz24, the band is paired down to a trio with alto saxophonist Donald Harrison and guitarist Peter Bernstein.

The Portuguese folk music called fado is enjoying a surge in popularity, thanks to international stars like Mariza. But in the narrow alleys of Lisbon's Alfama district, locals like their fado stripped down to its soulful essentials.

For more than 20 years, Tian's basso voice has filled major American opera houses. As one of the few Chinese stars in opera, his life story has been as remarkable as his work. He spoke with Soundcheck host John Schaefer.

A Chicago-based blues legend, Clearwater has just released West Side Strut, his first original recording in eight years. Hear his contemporary take on original "rock-a-blues" style and left-handed guitar playing in this performance from WXPN.

Camille Saint-Saens lived from the waning years of music's classical era, all the way into the early decades of 20th-century modernism. The tumultuous, romantic opera, Samson and Dalila is one of his many masterpieces.

Ben Sollee just wants us to get along. On his debut, full-length release, Learning to Bend, the Kentucky-born singer offers an inspired collection of acoustic, folk and jazz-flavored songs, filled with hope and the earnest belief that the world is good.