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  • Go! Pop! Bang! is grounded in the Baltimore club sound — super-danceable, lots of bass and crazily fast rapping. Rye Rye's debut album was all set to be released in 2009, but then sweeping changes in her life got in the way.
  • The music featured on this week's show expands the notion of just what is Latin music.
  • A guitar that can sound like 16 different instruments? Day to Day contributor, jazz critic, golfer and musician David Was reviews the new high-tech Variax guitar, which features electronics that change the sound with the twist of a dial.
  • Hailing from Brooklyn and New Orleans, The Pimps of Joytime's members traffic in a funk style laden with elements of soul, punk, Afro-Caribbean, afrobeat and rap. Independent music producer Derek Rath is addicted.
  • Over a 60-year career, Zawinul embraced many types of jazz, but came to define the style known as jazz-fusion with his influential band Weather Report, and its 1977 hit "Birdland." Zawinul died of cancer early Tuesday.
  • Music from a found diary: The Mars Volta; Progressive rock classic from Gentle Giant; Stockholm pop from Shout Out Louds New instrumental electronica from Moby; Pavement's Stephen Malkmus and more.
  • On the lead single and video from Canyons Of My Mind, Combs connects the environmentalist folk-pop of Don McLean with the dystopian mood-setting of Radiohead.
  • When the house band features Peter Buck (REM), The Decemberists, and Scott McCaughey (The Minus 5)— you're in for a show. Also on this episode: Nicole Atkins, Ted Leo, Eugene Mirman, and more.
  • The 26-year-old classically trained pianist tackles Rachmaninov's dense and intimidating "Concerto No. 3" in a new recording. The musician says she hears a connection between the challenging piece and improvisations from the late Art Tatum.
  • The new record from Of Montreal can be summed up in a word: bonkers. False Priest, the 10th album from imaginative and exuberant frontman Kevin Barnes, is a gloriously unpredictable sonic joyride. Shape-shifting songs swirl together bits of Motown funk and dirty guitar noise with disco, '80s new wave, techno beats and neo-psychedelic soundscapes. Hear the album in its entirety the week before its release on Sept. 14.
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