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The new album by Wiki, produced entirely by Navy Blue, is a showcase of collaboration and a clear-eyed look at consequence, accountability and community against the backdrop of COVID-era New York.

Forget what F. Scott Fitzgerald said about American lives and second acts, Gibbs is on his third or fourth. $$$ is a rewarding listen that sometimes labors under the weight of a forced progression.

Sample 12 selections from an ambitious six-disc box set of archival Dylan recordings. The recordings capture and reflect one of the most vivid chapters in American music.

The 2025 Pulitzer Prizes were announced Monday afternoon. Percival Everett won the award for fiction for his novel James, a powerful re-imagination of Huckleberry Finn.

In 2025, fandom is complicated. Music is at nearly everyone's fingertips. Concert ticket prices are through the roof. Some fans take devotion to new extremes. What do we owe to the artists we love?

Watch riveting performances by superstars Café Tacvba, Juanes & Mon Laferte, iLe, Jorge Drexler and Natalia Lafourcade.

On social media late Wednesday, the musician wrote: "I wish to say that I will not perform on any stage where there is a discriminated audience present."

Good-humored and unsparing, Janis Ian's "I'm Still Standing" answers "At Seventeen" from life's other side, celebrating every line and rough patch on an older woman's face.

A new book, Lost Sounds, profiles a man named George W. Johnson, a former slave and New York City street performer who became the very first African-American recording artist — singing some very racist tunes.

The young composer has been called "Brooklyn's post-millennial Mozart," so it's no surprise who she picks as her dinner date. Wolfgang Amadeus would come well-dressed and in good humor.