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  • Eighties absurdo-disco band Was Not Was has a new album. David Was shares some of his thoughts about embarking on a rock and roll odyssey at a time when he should be figuring out how to stretch his Social Security check.
  • The Jupiter String Quartet has been playing together for just seven years, but it's already racked up an impressive collection of awards. The group takes music by Benjamin Britten to the WGBH studios in Boston.
  • The sound of New Orleans Jazz is unmistakable. If you're in the Crescent City, there's one place you're sure to find it: Preservation Hall. A new, jam-packed box set celebrates the Preservation Hall Jazz Band master tapes that survived Hurricane Katrina.
  • English-Australian singer, songwriter and actress Olivia Newton-John has died at age 73. She was one of the the biggest pop stars in the 1970's and early 1980's.
  • In 1971, Motown founder Berry Gordy created MoWest, a California label that would last only two years before being dismantled. A new anthology documents this odd and little-known chapter in Motown's history.
  • Elvis Presley is constantly being discovered by new generations, and by older fans in new stages of life. Critic Milo Miles talks about the surprise rewards he found while listening to the new reissue Elvis Is Back! — and during his first visit to Graceland in Memphis.
  • The rise of the rapper from Paterson, N.J. with a trio of feel-good hits has felt inexorable and hilariously American. His debut album, finally here, is proof he did it his way.
  • The rock trio's first album since 2005 sounds as fresh and vital as a debut, but also as nuanced and skillful as the work of three players with a decade-long, inimitable rapport betwixt them.
  • WBGO Morning Jazz host Gary Walker shares his favorite jazz recordings of 2007. Among the artists he singles out: Michael Brecker, Abbey Lincoln, Maria Schneider and Ron Carter.
  • Born in the '60s, soul-jazz is a groove-oriented style built from the bottom up. You take a strong bass line, establish a steady groove between the bass and drums, and then embellish that groove with riffs and melody lines that draw heavily from gospel, blues and R&B.
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