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Hear a quick run thru some of the best full-albums out today, including the scorching punk of Dark Times, rap phenom Cardi B, pop singer Kylie Minogue's country turn, Hop Along, Wye Oak and more.

Our latest weekly mix includes songs from some of the year's most anticipated new albums, including the long-awaited My Bloody Valentine record, and an epic electronic jam from The Knife. We've also got new music from Four Tet, Cloud Cult, Malian kora player Ballake Sissoko and more!

"In the Clouds" practically bursts with infectious energy, spilling over with disco beats and Vocoder-enhanced backing vocals, while singer Aaron Bruno unleashes a mean falsetto, evoking a younger and hipper Barry Gibb. The result is a fun, sexy anthem that shimmies with a cool confidence.

All Songs Considered's favorite electronic jams from February include a legit underground anthem, African field recordings, and yet another promising producer from Detroit.

The French electronic duo turns distressed dreams into symphonies plucked from cotton candy clouds. Yet to see Air's members perform live, everything looks so effortless.

Mornings are hard enough to face when you're not trudging off to a world of cubicles and fluorescent lights. Just waking up presents a challenge. Try this playlist for those days when you need more than two cups of coffee just to summon the strength to walk out the door in the morning.

Hem is a Brooklyn, N.Y., band whose ranks occasionally swell from four core members to an 8- or 9-piece ensemble, including pedal steel, glockenspiel and violin. The title of their third studio album, Funnel Cloud, implies dark skies — but it's more of a goodbye kiss to the summer season.

The gospel group Quincy Jones calls "the baddest vocal cats on the planet" makes a joyful noise in celebration of Thanksgiving. Group members talk about their long and successful career and perform songs during an in-studio interview in Nashville, Tenn.

While one can certainly trace the echoes of peers like Shame and Crack Cloud in its output, the Chicago post-punk band equally exudes the rowdy influence of The Replacements.