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Musician Milt Hinton snapped more than 60,000 photos in his life, providing an insider's view of jazz and 20th-century America. His work is the subject of a new documentary called Keeping Time.

Jazz Night profiles singer-songwriter, composer, guitarist and 2022 NEA Jazz Master Cassandra Wilson. Hear tracks from her expansive catalog and listen to stories about her inspiring musical path.

In this latest installment of our Lost and Found Sound series, NPR's Don Gonyea remembers the heyday of powerhouse AM radio. Gonyea grew up in Detroit, where the big station in the 60's and 70's was CKLW. It broadcast from across the Detroit River in Windsor, Ontario. It was a loud, glitzy noise-making enterprise. Everything was shouted -- even the news. The 50,000-watt giant spewed rock and roll and hyped-news across 28 states and mid-Canada. Gonyea describes the formula that made CKLW and its imitators successful.

Rock critic Ken Tucker reviews Del and the Boys by the Del McCoury Band.

Taking up where African icon Fela Kuti left off, NYC-based Antibalas has found a growing audience for its dance-ready Afrobeat style, peppered with Latin and funk flavors. Listen to live cuts from their recent gig at the 9:30 Club in Washington, DC.

Liane Hansen speaks with singer/songwriter/legend Carole King, who wrote the music for 1960's hits including Up on the Roof and One Fine Day. Her 1971 album Tapestry was a huge hit, selling 14 million copies. Her latest cd, Love Makes the World, has just been released on her own label, Rockingale Records. {You can find out more at www.caroleking.com.}

NPR's Ivan Watson report on the music of Senegalese musician Youssou N'Dour. N'Dour has been performing for over three decades, and the social commentaries in his songs continue to strike a chord with people of all age. (5:44

Lisa Simeone talks with deejay and producer Fatboy Slim about his career and his song and video Weapon of Choice. Fatboy Slim is the pseudonym of Norman Cook, the mix-master who dominated the MTV Video Music Awards this week.

Samora Pinderhughes delivers a vulnerable and intimate performance from his exhibition "The Healing Project."

During the '80s and '90s, it seemed as if Moffett was everywhere in the jazz scene, recording with then-up-and-comers and luminaries alike — all at the beginning of a long career.