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  • At the Aspen Music Festival and School in Colorado, we hear pieces performed by three remarkable young musicians: 13-year-old Caroline Goulding, 12-year-old Conrad Tao and 13-year-old Peng Peng Gong.
  • Impulse Records was launched during a golden age of jazz and it featured a variety of legendary artists — from John Coltrane to Ray Charles. Its edgy sound reflected the turbulent politics of the 1960s, the author of a new book about the label says.
  • Scottish sextet Camera Obscura crafts delicate, shimmering indie-pop that rewards repeated listens. Featuring the airy vocals and literate lyrics of Tracyanne Campbell, the songs convey a deceptive simplicity that belies their poignancy.
  • The deluge of songs immortalizing the wrath of Hurricane Katrina continues with the release of a collaboration between Elvis Costello and legendary New Orleans musician Allen Toussaint. The delivery is mostly coy and cool, the groove a classic example of Toussaint understatement.
  • Musician Bill Miller, Frank Sinatra's accompanist and musical collaborator for decades, died earlier this month. Musician and Day to Day contributor David Was offers a remembrance of Miller's decades-long career and influential piano style.
  • Tony Allen has operated at the heart of Afrobeat's cosmopolitan renewal, collaborating with A-list electronica and hip-hop producers. Now, on his own, he boils Afrobeat down to its polyrhythmic roots on "Moyege."
  • Marc-Andre Dalbavie takes words and tunes from 12th-century love songs, then resets them with a beautiful contemporary twist. Fred Child joined him last week at the Aspen Music Festival. Soprano Courtney Huffman joins the Aspen Contemporary Ensemble.
  • Hear an unforgettable lineup of music from the Newport Jazz Festival, hand-picked by Christian McBride. Check out rare sets from the Clifford Brown/Max Roach Quintet, Dave Brubeck and Horace Silver.
  • Hear a power hour of all-stars with some of the best sets to come out of the modern era of the Newport Jazz Festival, featuring Herbie Hancock, Roy Hargrove, Cécile McLorin Salvant and more.
  • On his third solo album, Styles relies on a proficient but unadventurous process of combining his influences. His habit of paying homage to his idols too often conceals his own creative vision.
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