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Long Lost Suitcase is not just Jones' story, but also the story of America's musical roots spreading to reach the whole planet, generation by generation.

More than three decades after Pancho & Lefty, the country titans pair up again, this time for an album that puts eclecticism front and center.

Many jazz standards are themselves about making lists. Here are five of them, including Louis Armstrong's take on "Let's Do It," Johnny Hartman's version of "These Foolish Things" and a classic reading of Jobim's "Waters of March."

Many in Africa say that their homeland is reggae's, too, despite the genre's development in late-'60s Jamaica. Regardless of lore, reggae has since taken on a new shape in Africa, expanding beyond Caribbean-based manifestations. Here are five examples of a modern African sound.

Broadway musicals of the 1960s were surprisingly good at explaining complicated economic matters. Before tourists took over the Great White Way, the "tired businessman" was the target audience. These four songs are particularly illustrative of the kind of vaudeville mixed with corporate-speak that the businessman favored.

The Aces' full-length debut is a pop confectionery, and fit to be blasted from car stereos, but there's substance to its sweetness

The folk-rock band's ambitious new album confront tribalism, fear, anger and violence.

Ever try to remember the nooks and crannies of your childhood home? This Chicago composer took it one step further.

Thirty years after his breakthrough hit "The Way It Is," the singer-keyboardist once again hits the sweet spot between joyful improv and immaculate songcraft.

Three Israeli sisters celebrate — and utterly transform — a trove of Arab-language folk songs that they inherited as Yemenite Jews, by tweaking them with electronic touches.