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In the hip and swinging days of the 1960s, a strange contraption called the Scopitone jukebox seemed poised to be the next big thing. The machine the size of a refrigerator projected short films on a 26-inch screen that were precursors to modern music videos.

A decade ago, Basement Jaxx couldn't get a record label interested in releasing the group's first EP. Fast forward to 2005: Felix Buxton and Simon Ratcliffe, the producers behind the Jaxx sound, are a global phenomenon in the dance music scene.

As a singer, rapper, multi-instrumentalist and producer, Aloe Blacc is a remarkably inventive experimenter, defying easy categorization on "Nascimento (Birth)," which begins as an aria and concludes as broken-beat hip-hop.

Hot Chip is clearly made up of geeky music obsessives, each far-reaching in his musical ideas. A quirky, intelligent collection of songs, the band's new album The Warning owes as much to Prince and Aphex Twin as it does to The Beach Boys, New Order and Beck.

Our rock critic reviews Rockford, the new album by the rock band Cheap Trick, who were best known for their late 70's pop-rock hits.

By the time he turned 20, Micah P. Hinson had stared down drug problems, jail time, homelessness and financial ruin. His background goes a long way toward explaining the depth of the appreciation he conveys on his warm and wonderful "The Day the Volume Won."

Mezzo-soprano Lorraine Hunt Lieberson died Monday at 52. From a concert performance last May, Hunt sings a love song her husband, Peter Lieberson, wrote for her: "If Your Eyes Were Not the Color of the Moon," based on a poem by Pablo Neruda. Esa Pekka Salonen leads the Los Angeles Philharmonic.

"I lived low enough so the moon wouldn't waste its light on me," Jason Molina sings on "Get Out Get Out Get Out," ornamented by a plodding drum-machine beat and a few minimalist strums on an acoustic guitar. It's the singer at his bleakly hypnotic best.

With a delicate voice reminiscent of Nanci Griffith's and a support crew featuring an impressive assortment of Austin-based musical talent, Idgy Vaughn straddles the line between contemporary folk-pop and traditional country, offering 10 subtly hued yet largely autobiographical stories.

A cultural chameleon with a handful of viral hits, the rising rapper's Come Home The Kids Miss You misses the mark.