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The Bonnaroo music festival in Tennessee announced today that it will require either proof of vaccination or a negative COVID-19 test to attend.

Producer David Harvey's new bluegrass album pays tribute to British '70s pop icons The Moody Blues. Bluegrass stars from Tim O'Brien and Alison Krauss to Stuart Duncan and Aubrey Haynie interpret "I'm Just a Singer in a Rock and Roll Band" and "Nights in White Satin," among others. Hear NPR's Steve Munro.

As jazz critic Murray Horwitz puts it, "Just because a CD is a survey of Christmas music, it doesn't mean that it can't have great music." The all-star lineup of the 1990 album, Jingle Bell Jazz, includes Dexter Gordon, Duke Ellington, Miles Davis, and Herbie Hancock.

In the second part of our story about WHER, the nation's first all-girl radio station, we hear how the station evolved from all-music to a more news and talk driven format, as the world changed around them.

Ann Powers talks about curating NPR Music's new list of the 200 greatest songs of the 21st century by women and non-binary artists.

In his short but brilliant career, he pioneered a new standard of rapid-fire virtuosity on the electric bass and helped bridge the jazz and pop music of his day. Close collaborators offer a retrospective on Jaco Pastorius.

Singer Tierney Sutton burst onto the scene in 1999 with rave reviews for her first solo album, Introducing Tierney Sutton. Five albums later, critics and fans continue to marvel at her delicate, reflective vocal style. Hear an interview and performance on Piano Jazz.

In the pre-apocalyptic love song "The Temptation of Adam," Josh Ritter demonstrates his considerable gift for subtle, warmly evocative turns of phrase. As the song unfolds, he revels in the simplicity of the end times, acknowledging that romance is easier when it unfolds in isolation.

Radiohead guitarist Jonny Greenwood has helped push the boundaries of rock music by integrating electronics and decidedly un-rock sounds. From the Wordless Music Series recorded by WNYC, Greenwood offers the U.S. premiere of his orchestral work, Popcorn Superhet Receiver.

When The Mars Volta purchased a ouija board in a Jerusalem curio shop and began to use it, the band had no idea how much it would affect its recording. Listening to The Bedlam in Goliath, the paranormal talk might not seem like such a publicity stunt.