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The Australian singer-songwriter, whose career began in high school with the band Noise Addict, has a new album all about the strange language of dreams.

Rachel Barton Pine says that while recording an album of music designed to help babies sleep, it helped to keep her own infant daughter in mind.

Theresa Andersson is a one-woman band, and this was never more apparent than when she strolled into the WFUV studios with two engineers, but no band members. She surrounded herself with drums, floor pedals, slide steel guitar and a guitar — all the while singing.

Van Zandt's songs of loners, lovers and misfits made a deep impression on Earle, so much so that he's made a new album of covers. Earle tells Melissa Block about Townes, a tribute to his friend and musical mentor.

Commentator Rob Kapilow uncovers the genius beneath the layers of Stravinsky's great ballet, Petrushka, and recalls how it inspired him to follow a career in music.

The Killers' frontman has used the band's hiatus to write and record his first solo album. Flamingo is full of card and dice metaphors and draws heavily from the imagery and excitement of Flowers' glitzy hometown.

At Newport's Harbor Stage, Hiromi's stride-style left hand pumps rhythm to support the fabulous speed and articulation of her right. And on the Main Stage, the Michel Camilo Trio plays his signature arrangement of "Poinciana" and ends his set with a lively "A Night in Tunisia."

Synths got out of control in 2011, but Lars Gotrich picks the best, plus drone and abstract guitar.

To celebrate its new album, Jei Beibi, the iconic Mexican band visits Alt.Latino to play guest DJ — and talk about everything but the album.

One of the most sought after producers in music brings a trio of familiar voices to the Tiny Desk.