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Review: M. Ward, 'More Rain'
On his eighth solo album, the singer and multi-instrumentalist crafts a warm, thoughtful mood piece, buoyed by guest stars but desolate where necessary.
Alt.Latino: Hot New Songs For The Dog Days Of Winter
Melt away your winter blues with an assortment of hot new tracks from across Latin America. It's an amazing mix of new releases to get your heart rate up, with a few free downloads for good measure.
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28:39
Review: Mew, '+-'
Six years after its last full-length album, the Danish progressive-pop band has morphed again, this time into a more streamlined, potent, startlingly evolved version of itself.
Review: Sarah Cracknell, 'Red Kite'
Saint Etienne's urbane singer goes to the country on her first solo album since 1997. Based in quirky orchestration and folk-flecked acoustic instruments, it's unerringly melodic throughout.
Songs We Love: Cloudland Canyon, 'Psychic Insistent'
Produced by Spaceman 3's Sonic Boom, and featuring a cast of Memphis' finest players, indie experimentalists return with a melodic psychedelic-pop waltz.
Fresh Air's summer music interviews: Motown legend Smokey Robinson
In addition to writing and producing most of his own records, Robinson also wrote for other Motown acts, including the Temptations, the Marvellettes and Marvin Gaye. Originally broadcast in 2006.
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20:52
In Modern Rap, Echoes Of Marvin Gaye's Deep, Damaged Soul
The new song "Marvin's Room" by rapper Drake glances back at Gaye's sultry, vulnerable persona.
Eluvium, 'Void Manifest'
Amid dreamy strings and a cloudy swirl of synths, vocalist Charlotte Mundy lends the song a haunted, impressionistic quality.
Popeye, Tintin and more will enter the public domain in the new year
The copyrights of thousands of 20th-century films, books, compositions and sound recordings expire on Jan. 1, making them free for anyone to share and adapt. Here are some of the highlights.
David Thomas, Pere Ubu's defiantly original leader, dies at 71
Formed in 1975, Pere Ubu embodied the industrial decay and hardscrabble ethics of Cleveland. Thomas tied together the band's sound with uncompromising vocals that exuded steely menace and unfettered anguish.
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