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  • The rising artist's latest single, a collaboration with beabadoobee, whispers like a confession, but also soars.
  • Hamburg-born Astrid Kirchherr met the Beatles in 1960, before they were famous. She took some of the earliest photographs of the group and was engaged to Stuart Sutcliffe, the Beatles' original bassist, before he died of a brain hemorrhage in 1962.
  • Carl Hancock Rux began his career in the arts as a spoken-word poet. He has ambitiously matured into an author, musician and playwright. Rux discusses his new novel, Asphalt, and his CD, Apothecary Rx.
  • With her deep and smoky alto, singer-songwriter Dayna Kurtz defies the boundaries of blues, jazz and folk. Her eclectic new album, Beautiful Yesterday, evokes feelings of nostalgia.
  • Over a plate of Texas barbecue, Alt.Latino spoke with this fast-rising Afro-Latinx artist from Miami in the midst of her unforgiving South By Southwest schedule.
  • The music of Rodrigo Sanchez and Gabriela Quintero attempts to reconcile their love of heavy metal music with their traditional style of Mexican guitar playing. Their self-titled debut combines Sanchez's intricate fingerpicking with Quintero's smooth melodic style — and works wonderfully.
  • One of the few bands to improve with every album, Centro-Matic makes room-filling country-pop that's been winning converts for more than a decade. In "Patience for the Ride," Will Johnson's gravelly, intimate voice sounds warm and inviting — a perfect complement to the fuzzy classic-rock guitars.
  • Already the subject of considerable overseas hype, Gnarls Barkley finds DJ/producer Danger Mouse collaborating with Cee-Lo, co-founder of the Atlanta hip-hop collective Goodie Mob. The duo's debut single, "Crazy," is music for an integrated world.
  • The unmistakable voice of Roberta Flack has been part of the American soundtrack since the 1960s.
  • The product of Swedish multi-instrumentalist Emil Svanangen, Loney, Dear recorded its debut CD mostly in his parents' basement and a tiny studio apartment. But in spite of its modest origins, the disc is an immensely satisfying collection of light, lush pop songs with warm electronic cores.
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