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  • On his 11th album, the Massive Attack star still showcases a brooding, searching spirit and a cinematic sense of atmosphere. But he also plays around with new facets of his persona.
  • The producer's best album since the mid-'90s, False Idols is one of 2013's biggest surprises so far. His signature mix of menace and seduction still sounds contemporary after Tricky's more than 20 years in (and out of) the spotlight.
  • "I always try to honor my family in my music," Maxo Kream says. On his third album, the rapper balances contemplations of newfound family responsibilities with a sense of charisma and triumph.
  • NPR s Jeffrey Freymann-Weyr remembers the American composer, Lou Harrison.
  • Singer and songwriter Mia Doi Todd talks about her song "Digital" which is on her new album The Golden State, on Columbia Records.
  • This past week, composer John Williams joined National Symphony Orchestra conductor Leonard Slatkin at the Kennedy Center in Washington, D.C., to open a multi-concert series "Soundtracks: Music and Film." NPR's Liane Hansen visited with the two musicians.
  • La Boheme on Broadway, The Great Gatsby set to a libretto — highbrow eyebrows may be going up, but so are ticket sales. Opera companies are finding a new generation of fans. Join host Neal Conan and guests for a discussion about the changing nature of opera. />Gue >/>sts: Ian Campbell *General director of the San D iego Opera *Host of radio show, At the Opera and *Chairman, Opera >/> American Ann Patchett *Author, Bel Canto, winner of 2002 PEN >/>/Faulkner Awa rd Aaron Jay Kernis *Pulitzer Pr ize-winning composer *New music adviser for the Minnesota Orch />estra in Minneapolis.
  • Host Scott Simon remembers singer Janis Joplin, who would have turned 60 this weekend had she not died of a heroin overdose in 1970. Joplin was cremated and her ashes scattered at sea.
  • Weekend Edition Sunday music director Ned Wharton reviews discs by Radio Zumbido and illy B Eats, better known as Billy Martin, the drummer from Medeski Martin & Wood.
  • Kathleen Edwards is a Canadian singer-songwriter who pairs stark lyrics with instrumentals that are sometimes surprisingly upbeat. Meredith Ochs reviews her debut album Failer.
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