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  • Despite its success in Australia, You Am I has never made a dent in the U.S. But its new Convicts seems to suggest that other issues besides a failure to break through may explain the four-year delay since the band's last album, 2003's Deliverance.
  • The critically acclaimed rock group Band of Horses has roots in South Carolina. But the band formed, made its name and recorded its first CD in Seattle. Now its members are back in the Palmetto State, and back with a new album called Cease to Begin.
  • In September, Medley released a solo album titled Damn Near Righteous — his first release since the death of Righteous Brothers partner Bobby Hatfield. Hear an interview and in-studio performance by the soulful pop legend.
  • In Sons and Daughters' "The Nest," Adele Bethel puts her Scottish accent to good use against a detailed backdrop. She sneers her way through a tale of adolescent disappointment with such a barbed tongue that it takes on the dread of gothic horror.
  • These United States' "First Sight" begins unassumingly, offering few hints of the verbal flood to follow: a bevy of images, all delivered with the same gentle intensity. These small melodic bits pull and push the listener's attention, moving continuously under layered melodies and a wash of words.
  • One of the most controversial and acclaimed singers of the last 20 years, O'Connor continues to deny convention and expectations. Hear an interview and in-studio performance by the fiercely uncompromising singer-songwriter.
  • Citing Bob Dylan and Neil Young as influences, the 26-year-old Irish singer is a master of simple folk songs that focus on his gentle voice and guitar. Regan was raised in a family of musicians, who instilled in him a love of early folk and blues that continues to pervade his music.
  • The soulful singer-songwriter talks about her new album, The Orchard, during a studio performance chat. Wright opens up about her music, her life, and what's next for her recording career.
  • Quetzal has spent two decades playing the soundtrack of its East L.A. neighborhoods: an evolving mash-up of Mexican son jarocho, low-rider oldies, cumbia, boleros, rock and blues.
  • The trio has always had grand ambition, dissolving and rebuilding the darker sounds of ambient, noise and metal. Locrian could easily score a Werner Herzog film with this rhythmic, proggy new track.
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