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The Disco Biscuits' members call their sound "trance-fusion" — a mixture of jam-band and electronic music with bits of Frank Zappa, rock, techno, jazz, soul, blues and classical. It's no surprise that the band writes its music for live shows and then records it, instead of the other way around.

Canadian twin sisters Tegan and Sara Quin began performing together at an early age, moving from high-school punk bands to an eventual deal with Neil Young's record label. Hear an interview and in-studio performance by the pair, which just released its fifth album, The Con.

Pianist and vocalist Norah Jones' latest album, Not Too Late, strips her music to the core. She forgoes jazz and pop standards for original compositions and a much subtler approach. Hear Jones give an interview and in-studio performance.

With a voice suitable for both rock and folk, Vandaveer's Mark Charles Heidinger has a natural flair for the delivery of the latter. Through the simple tune and optimistic lyrics, he imparts a universal message in "However Many Takes It Takes."

Valli just released his first new studio album in 15 years, showing that he still has what it takes to be a pop singer. Romancing The '60s is a collection of songs he says he's always wanted to record. Hear an interview from WXPN.

Led by singer-songwriter Mark Eitzel, American Music Club lives up to its name by mixing very different types of American music. When it began in 1982, the band characterized what would become "slowcore," a style marked by its crawling pace. Hear an interview and performance.

Another batch of tender, heartbreaking, expansive, raw, unrelenting, labyrinthine new songs on this episode of All Songs Considered.

Los Angeles spawned a ton of remarkable music in 2010, and no one knows L.A. better than NPR station KCRW. Music director and Morning Becomes Eclectic host Jason Bentley selects his cream of the SoCal crop.

With Bob Boilen away this week, NPR Music's resident electronic experts return with more favorite new and upcoming releases.

The young Cuban powerhouse draws on the power of Afro-Cuban traditions, the nimble athleticism of jazz, and catchy pop melodies.