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Wynton Marsalis has been playing the trumpet since he was 6, and won his first Grammy at 20 and has 9 total. He's also the first jazz musician to win the Pulitzer Prize. His latest album is The Magic Hour. (This Interview first aired Dec. 7, 1994.)

John Pizzarelli has been playing jazz guitar with his legendary father, Bucky, since he was 6 years old. John's latest album is Dear Mr. Sinatra, on which he plays songs written for Ol' Blue Eyes. Pizzarelli appears at the Birdland jazz club in Manhattan this week.

Host Jackie Judd talks with Karrin Allyson, a singer who's new album dedicated to the work of John Coltrane combines both her jazz and classical training. Allyson's vocal CD, based on Coltrane's instrumental Ballads record, is titled "Ballads: Remembering John Coltrane." (6:21) {Karrin Allyson, "Ballads: Remembering John Coltrane." Concord Records, 2001} {John Coltrane Quartet, Ballads MCA Records 1987}

Host Liane Hansen speaks with saxophonist Ravi Coltrane, son of musician Alice Coltrane and the sax legend John Coltrane. Though John Coltrane died before Ravi was two years old, ultimately Ravi followed in his father's footsteps and has become a respected bandleader. Ravi Coltrane's new cd, Mad 6, is on Eighty-Eights/Columbia Records, and his website is http://www.ravicoltrane.com.

Hear The Decemberists in concert at the 9:30 Club in Washington, D.C. The full performance, along with the opening act, Rebecca Gates, originally Web cast live from NPR.org May 6.

Rihanna has already been praised for redefining maternity fashion. She's not the first celebrity to challenge cultural norms about pregnancy, but is reigniting a conversation that could spark change.

NPR's Music team breaks down this week's new music, plus how the impact of movie soundtracks has changed.

Andy Hurwitz, creator of the CD Baby Loves Disco, returned with Baby Loves Hip Hop, in which top acts sing, rhyme and tell stories for the preschool set. This story first aired April 24, 2008.

Viral stardom is often a prison — but on the dazzling and frequently hilarious Alligator Bites Never Heal, the "Yucky Blucky Fruitcake" rapper proves those walls can't contain her talent.

A lot of the rap that felt worth listening to in 2019 was hard to listen to — full of sonic dissonance and emotional distance, and pregnant with a particularly black depiction of dystopia.