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Sisters Asya and Chloe make up Smoosh, a Seattle duo that plays sweet, catchy indie pop. At 14 and 12, respectively, the two have toured all over North America and Europe with such high profile names as Death Cab for Cutie, Pearl Jam and Sleater-Kinney.

Pete Yorn's new Nightcrawler has him touring relentlessly, as he attempts to build on the success of his hit debut and its follow-up. Opener Matt Duke, 21, is at the beginning of what figures to be an impressive career. Both perform live from WXPN and World Cafe Live in Philadelphia Friday at noon ET.

As with many of the pianist and chamber-pop composer's songs, "I Don't Feel So Well" only becomes compelling as it goes along. Step by careful step, Vienna Teng builds the song outward, until what began in an 18th-century manor in old Europe becomes a gaudy bit of dance entertainment in a boisterous Buenos Aires bar.

In fewer than three minutes, "Tell Me Tell Me" showcases what The Adored is all about, from an over-arching philosophy — they're right; you're wrong; don't take anything too seriously — to a perfectly punchy power-pop sound.

The backbeat of Gov't Mule's "Mr. High and Mighty" is a heavy-lidded blast of '70s stomp-rock — Foghat's "Slow Ride" functions as a not-so-distant cousin. But rather than extol stoner virtues, the song expresses indignation over the doings of the craven and powerful.

Though she remains relatively obscure in the U.S., Lily Allen has spent the summer establishing herself as queen of the U.K. pop-music scene. Having already attracted blog- and press-fueled hype to rival that preceding Gnarls Barkley's "Crazy," Allen exudes swaggering star quality on "Smile."

Sam Moore of the legendary duo Sam & Dave talks with Ed Gordon about his new solo album Sam Moore: Overnight Sensational. The album will be released August 29.

Nouvelle Vague may deny being a novelty act, but there's no arguing with the facts: The brainchild of Parisian producer Marc Collin and guitarist Olivier Libaux, the group performs Brazilian-steeped covers of new wave and punk songs, which are voiced by French singers in English.

Often recalling the rustic delicacy of Iron and Wine — if it were soaked in strings and robbed of some of its stark clarity — Horse Feathers' music radiates homey intimacy, as Peter Broderick fleshes out Justin Ringle's voice and guitar with all manner of warmly unamplified instrumentation.

Musicians often chronicle the anguish, adjustments and small triumphs associated with a relationship's end. But few capture the emotional rawness and suffocating isolation quite as powerfully as Lisa Germano's "Too Much Space."