Classical News from NPR

Maybe you have opera jokes. We did.

When the Pop Culture Happy Hour team planned a trip to the Metropolitan Opera in New York, we grudgingly served up to each other our dusty old gags about Bugs Bunny and helmets with horns and Pretty Woman and ... have we left anything out?

We chose to see Rigoletto, precisely because it's a classic. It's real, hardcore actual opera. We didn't want to be reluctant, or to insist that opera come meet us where we were. We wanted to dive in. All jokes aside, we really did want the opera experience.

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Farewell To Blackfaced Otellos At The Met

Sep 28, 2015

When the curtain rises on the Metropolitan Opera's new production of Verdi's Otello tonight, opera fans will quickly notice what's not there. For the first time since the opera was first staged at the Met in 1891, a white singer performing the title role will not be wearing makeup to darken his complexion to play the Moor at the center of the tragedy.

Over in London, the Independent's arts editor, David Lister, recently published a scathing commentary about the paucity of valuable or even interesting information in artist biographies. He wrote it in a fury after paying £4 to obtain the program for a Proms concert he attended, featuring the excellent German violinist Julia Fischer.

Most working cellists play in classical ensembles that perform in concert halls and music theaters. Tonight, Columbia's Rose Music Hall features a different take on the instrument. The Portland Cello Project is an ensemble interested in testing the boundaries of what you expect from the cello.

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