Anastasia Tsioulcas

Anastasia Tsioulcas is a reporter for NPR Music. She reports on a wide range of musical genres and music-industry topics for NPR's flagship news programs, as well as for NPR Music.

Tsioulcas is intensely interested in the arts at the intersection of culture, politics, economics and identity. She has profiled musicians and dancers in contemporary Cuba, a punk drummer from Washington, DC who raced to preserve the artistic traditions of pre-civil war Syria, a band of Muslim and Jewish musicians from Algeria reunited after 50 years, and an interfaith group from Texas rooted in a 700-year-old singing tradition from south Asia. She has also brought listeners into the creative process of musicians like composers Steve Reich and Terry Riley.

As a video producer, she has created some of NPR Music's high-profile music documentaries and performances, including bringing cellist Yo-Yo Ma to a Brooklyn theatrical props warehouse and pianist Yuja Wang to an icy-cold Steinway & Sons piano factory in Queens. Tsioulcas also produces some of the episodes in NPR Music's much-lauded Tiny Desk Concert series, and has hosted live concerts from venues like the Metropolitan Museum of Art and New York's (Le) Poisson Rouge. She has also commissioned and produced several world premieres on behalf of NPR Music, including a live event that brought together 350 musicians on the steps of the Brooklyn Public Library.

Tsioulcas has reported from across Europe, north and west Africa, south Asia and Cuba for NPR and other outlets. Prior to joining NPR in 2011, she was widely published as a writer and critic on both classical and world music, and was the North America editor for Gramophone Magazine and the classical music columnist for Billboard.

Born in Boston, Tsioulcas was trained from an early age as a classical violinist and violist. She holds a B.A. from Barnard College, Columbia University in comparative religion.

Until last Thursday, violinist William Preucil was one of Cleveland's most lauded and visible music stars. For more than two decades, he has served as concertmaster of the Cleveland Orchestra, one of the top orchestras in the U.S., while teaching at the prestigious Cleveland Institute of Music (CIM) conservatory, where he was a nationally known instructor. Prior to joining the Ohio symphony, Preucil was the first violinist in the Cleveland Quartet, which won a Grammy during his tenure.

On Friday, the Cleveland Orchestra suspended one of its star performers, violinist and concertmaster William Preucil, over allegations of sexual misconduct published Thursday by the Washington Post.

Boston Symphony Orchestra principal flutist Elizabeth Rowe has filed a lawsuit against the orchestra, claiming that she is making substantially less each year than her closest peer — a man.

In a suit filed Friday by the Metropolitan Opera, five men have made newly public accusations against conductor and pianist James Levine, who was closely associated with the Met for four decades. In total, nine men have now come forward, either by name or anonymously, with accusations against Levine.

Aspiring orchestral musicians have long known that the road to a professional career is arduous and paved with risks. But new research from the U.K. shows that even attaining the brass ring of an orchestral job does not necessarily provide financial security. In fact, even with salaried, full-time employment, many British orchestral musicians are struggling to pay their bills.

The experiences of black men in America today are making their way onto the classical concert stage, thanks to internationally acclaimed tenor Lawrence Brownlee. Brownlee enlisted the help of two other prominent African-American artists, composer Tyshawn Sorey and poet Terrance Hayes.

On Friday, the Boston Symphony Orchestra announced that an independent investigation into a sexual assault claim made against conductor Charles Dutoit by one of its former interns has found the woman's claim credible.

The accusation that triggered the BSO investigation came from a woman named Fiona Allan, who at the time of the alleged assault in 1997 was working as an intern at the orchestra's summer home at Tanglewood in Lenox, Mass., when Dutoit was appearing with the symphony as a guest conductor.

On Friday morning the Boston Globe published details of allegations of sexual abuse by 74-year-old conductor and pianist James Levine, as well as chronicling "cult-like" behavior that the leading musician allegedly cultivated amongst his devotees while he was teaching at the Cleveland Institute of Music (CIM) in Ohio between 1965 and 1972.

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