Classical News from NPR

What makes a first-tier jazz legacy? A signature instrumental style, recognizable within a phrase or two. A body of exceptional recordings, in the studio and in concert. A legion of imitators, great and small. A sense of broad cultural relevance. Maybe even a hit song or two.

Until recently, most classical music videos have been humdrum affairs. Musicians, in concert attire, earnestly produce their notes with eyes closed and heads tilted in a beatific expression, somewhere between a migraine and an attempt to channel Bach from the heavens.

Two additional women, violinists Emilia Mettenbrink and Raffaela Kalmar, have made allegations of sexual misconduct against violinist William Preucil, the concertmaster of the Cleveland Orchestra and a now-former instructor at the Cleveland Institute of Music (CIM). Their accusations were printed in the Cleveland Plain Dealer on Sunday.

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University of Missouri School of Music

On this week's Mizzou Music, Trevor Harris from Classical 90.5 talks with four MU School of Music faculty including Eva Szekely, Bill Kalinkos, Stefan Freund and Anthony Glise about upcoming recitals and performances.

Naxos.com

During his heyday, Italian born composer and cellist Luigi Boccherini had a reputation approaching that of his contemporary Franz Joseph Haydn. Today, Boccherini is remembered for but a few virtuoso works for strings. That's a shame because his influence on the string quartet may be his most lasting gift to classical music.

Jon Batiste On Piano Jazz

Feb 12, 2016

Pianist and bandleader Jon Batiste hails from Louisiana, the cradle of jazz.

Eric Lewis' career has circulated both in and out of what he calls "the jazz republic." Performing under his given name in the 1990s, Lewis was a powerful up-and-coming pianist who toured in the bands of Wynton Marsalis and Elvin Jones. As his career progressed — or failed to, from a business perspective — he found that a lot of contemporary rock music also spoke to him deeply.

This tune comes from a demo tape of a band's first-ever public gig. The recording engineer was a 19-year-old college radio kid scrambling to capture 18 musicians in a tiny basement club. But half a century later, that kid now runs a record label and deemed his work good enough to re-touch and issue as part of a deluxe 2-CD package. After all, this was no ordinary band. Within three months of that first gig, this group started making "real" albums — five LPs worth in the next four years, plus two album-length collaborations with singers.

Wikimedia Commons

For several years now, I have been talking with Missouri Symphony Orchestra Maestro Kirk Trevor and my KBIA colleagues about a show that I felt we should be producing and broadcasting. The challenge was that we had to find support for and record the program. Let me explain.

Eden Atwood On Piano Jazz

Feb 5, 2016

One of the rare jazz discoveries of her generation, Eden Atwood is the daughter of arranger-composer Hub Atwood. She studied piano as a child and went on to have a performing career in New York and beyond. Eden Atwood has released several studio albums, and she tours regularly.

In this episode of Piano Jazz from 1996, she and host Marian McPartland perform a duet of "Old Devil Moon."

Originally broadcast in the fall of 1996.

Set List

Jazz Night In America's regular host, Christian McBride, happens to be a Grammy-winning bassist and composer, but he forbade us to feature him unless it was for something special. It so happens that he's written a special work: Teaming with choral director JD Steele, he's composed a bluesy and soulful oratorio for big band, gospel choir with soloists, and four speakers who represent great figures of the Civil Rights Movement.

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